My Painting Montreal nightscape for sale here $1,250 at 2 by 3 ft very substantial for your home or office, contact rickad04@msn.com / / / / story follows below

/ / / / / / / / / / National Gallery drops Renaissance painting, splitting it in two
I Shortened this story , The painting was restored , but seems to me not perfectly revelation PS Please ... visit my original art in Gallery ( top right ) & leave your comment on any post is great !!!
article Martin Bailey
The Art Newspaper can reveal that a 500-year-old panel painting by Domenico Beccafumi of Marcia was broken in half, in one of the most serious handling accidents known to have occurred in a UK museum in living memory. This happened during deinstallation of the “Renaissance Siena” exhibition, which closed on 13 January. Gallery director Dr Nicholas Penny, who took over in February, admitted that the accident was “extremely serious”.
Marcia was being removed from the wall in the Sainsbury Wing exhibition galleries when it slipped out of its temporary frame and dropped to the ground. The panel is composed of three vertical planks, each nearly one metre high, and the impact meant that the left plank broke completely away from the other two.
Although conservation at the National Gallery is normally only done after approval of the trustees, remedial work was deemed urgent, in order to avoid further damage. Chairman Peter Scott was immediately informed and gave his authorisation.
Marcia was restored at the end of January, with the painting going back on display where it had been before the Siena exhibition, in lower room A. The gallery claims that the repaired damage is “not visible in normal viewing conditions”. Under present lighting in the gallery, the vertical strip of damage can hardly be seen when looked at straight on, although it is just visible when the painting is viewed from the left side.
There are three Beccafumi panels of Exemplary Women (epitomising virtues), and these had originally been part of a decorative scheme for the bedchamber of Francesco Petrucci, dating from around 1519. Marcia and Tanaquil both belong to the National Gallery, and in “Renaissance Siena” they were temporarily reunited with Cornelia, on loan from the Galleria Doria-Pamphilj in Rome. The three paintings had been displayed together in a temporary modern frame